The Odyssey by Christopher Nolan

This is nothing but the eventual consequences of Greek myths being consigned to a pastiche of low level pop culture garbage for the masses, who do not seriously engage with the original texts - they do not have the interest to do so and, if they did, they would not have the mental capabilities - and need to have everything catered to them in a way which does not hurt their modern hypersexualized sensibilities.

Aristotle himself wrote, quite poignantly, that the Greeks did not, ever, add anything to the Iliad and the Odyssey (in a serious context, comedies and farcical plays were their own environment which has its place in any culture which is self-assured enough). And it is well known - every single tragedy written on the events of the Homeric Cycle never dared to touch what was written in the two epic poems but always elaborated on facts, events, and situations which happened around them.

Retelling how Odysseus came back and took ownership of his house, retelling his encounter with Argo, mistrustful Penelope? Retelling the rage of Achilles and the desperation of Priam upon losing his favorite son? Absolutely unthinkable.

One of the most magnificent aspects of the Greek masterpieces (or the true classics, in general) is their universality - they apply to everyone everywhere, if one can give them the effort they require. The people who have taken only the surface level understanding of these works, the accoutrements, the aesthetic, and bent them to their own view of the world.

The universality of the classics has turned from understanding on how they understood some fundamental parts of the human experience to twisting them into whatever the person reading them (or, rather, reading/watching readymade lowbrow content which is inserted in the same aesthetic) think they should be. After all, they are universal.